Thursday, August 28, 2014

sat-kriyā sāra dīpikā and saṁskāra dīpikā

Sat Kriyā Sāra Dīpikā and Saṁskāra Dīpikā are two manuals with rituals for Vaiṣṇavas, the former dealing with rules for householders and the latter with rules for aspirant renunciants. They are said to be written by Gopāl Bhaṭṭa Gosvāmī, but they are nowhere mentioned as being his work, nor have any post-six-Goswāmī-ācāryas ever quoted them in their works. Other books by the Gosvāmīs are well known and accepted. The Bhakti-ratnākara, which was written in the 18th century, gives an extensive and correct list of the works of all the Gosvāmīs. It has a long discussion of Gopāla Bhaṭṭa Gosvāmī in the first chapter, but says nothing of this text. The only two texts that are associated with Gopāla Bhaṭṭa Gosvāmī in the Bhakti-Ratnākara are the Hari-bhakti-vilāsa and a commentary on the Kṛṣṇa-karṇāmṛta.

In the third chapter of the text, the author of Sat-kriyā-sāra-dīpikā recommends the worship of Gopāla Bhaṭṭa Gosvāmī in the Vaiṣṇava homa, “oṁ gopāla bhaṭṭāya svāhā”. Gopāl Bhaṭṭa Goswāmī was so humble that he did not want his name mentioned in Caitanya Caritāmṛta, so it would be a total contradiction if he would prescribe worship of himself in a book he wrote. Worship of the Pañca Tattva and Madhvācārya, which is nowhere prescribed in the Goswāmīs’ books, is recommended (Saṁskāra Dīpika 30), and in the same paragraph is the sentence vaiṣṇavatvena dvijatva siddheḥ, “being a Vaiṣṇava makes one a dvija“, which is as Gauḍīya Maṭh-ish as coals are from Newcastle. Then there is the ‘gopībhāvāśraya’ sannyāsa-mantra (Saṁskāra Dīpika 40), which is also not found anywhere in the Goswāmīs’ books. The same paragraph carries the text kutsitaṁ malinaṁ vāso varjanīyaṁ viśeṣataḥ kaṣāya-rahitaṁ vastraṁ, “Ugly and dirty clothes and clothes which are not saffron are to be given up“, but Haribhakti Vilāsa (4.147) says nagno rakta paṭaḥ “For a Vaiṣṇava, wearing red cloth is like being naked.” Although that is said in the context of arcanā, it is a general statement because a pūjārī does not change the color of his cloth when he gets off the altar. Saffron should not be worn by a Vaiṣṇava, on or off the altar – rakta vastra vaiṣṇavera poḍte nā yuwāy (Caitanya Caritāmṛta Antya 13.61).
Haribhakti Vilāsa also states: śukla-vāso bhaven nityaṁ raktaṁ caiva vivarjayet (4.152) “The Vaiṣṇava should always wear white cloth and give up red cloth.”


dhārayed vāsasi śuddhe paridhānottarīyake
acchinna sudaśe śukle ācamet pīṭha saṁsthitaḥ

“One must wear clean dhoti and chador, untorn and white, then take a seat and do ācamana.” (4.161)


kṛtopavāsaḥ śiṣya atha prāta-kṛtyaṁ vidhāya saḥ
śukla-vastraḥ suveśaḥ san viprān dravyena toṣayet

“The candidate for dīkṣā should fast and finish his morning duties. Dressed in a nice white garment he should satisfy the brāhmaṇas with gifts". (Haribhakti Vilāsa 2.110)

If Sat Kriyā Sāra Dīpikā and Saṁskāra Dīpikā were written by Gopāla Bhaṭṭa Gosvāmī, they would contradict his other book, Haribhakti Vilāsa. It could have been written by any other Gopāla Bhaṭṭa, as every other boy in India is named Gopāl, and Bhaṭṭa is also a common surname for Brahmins. Surely there are thousands of Gopāla Bhaṭṭas in India at any given time.

Other opinions on these books are inconclusive. In his Gauḍīya Vaiṣṇava Sāhitya (2nd volume, page 2), Haridās Dās suspects the authenticity of this scripture. He also suggests the two booklets were written by another Gopāla Bhaṭṭa, not the Gopāl Bhaṭṭa who was one of the six Goswāmīs. He says that he asked Vanamālilāl Goswami, one of the Radharaman Goswamis, who was responsible for the service of Radharaman, about the book. Vanamalilal Goswami said that it was written by a Gopāl Bhaṭṭa who was a disciple of Hita Harivaṁśa. In support of this he points to a reference in the tilaka-section to the form of the tilaka being described as “rādhā-vallabhīya”, relating to the deity of Hita Harivaṁśa, not a Gauḍīya deity. 

These arguments are not so sound, because why would another sampradāya’s teacher speak so much of Gauḍīya Vaiṣṇavism, if at all?

Naresh Candra Jana, in his book Vṛndāvaner Chaya Gosvami (p. 212-213), considers it to be the work of a later author of unknown name who passed it off as a work of Gopāla Bhaṭṭa Gosvāmī. He points to similar inconsistencies. Dr. Jana, however, is a mundane scholar from Calcutta - what is his spiritual authority? 

Some say this Gopāl Bhaṭṭa was the grandson of Nārāyan Bhaṭṭa (the author of Vraja Bhakti Vilāsa, who was in the lineage of Gadādhar Pandit), or Vaikuṇṭha Vācaspati, a later Brahmin scholar.

Despite this, I am personally convinced these are not works of any Gopāla Bhaṭṭa Gosvāmī, for the following reasons -

Samskāra Dīpikā contains modern Bengali words like bhek, Bengali for veśa or sannyāsa, but meaning ‘frog’ in Sanskrit (Saṁskāra Dīpikā 21 – guruṇā data bahirvāsavād bhekāṅga-bhūta cīra-khaṇḍa-yugma, and bheka-dhāriṇām tu, Saṁskāra Dīpikā 29). It also controversially claims that Nityānanda Prabhu gave kaupina etc. to Raghunātha dāsa Goswāmī (Samskāra Dīpikā 22 - nityānandena prabhuṇā svayam eva śrī raghunātha dāsa gosvāmine kaupīnādikaṁ dattam).

Sat Kriyā Sāra Dīpikā states early on, in text two, that included in gṛhi brāhmaṇas (householder brāhmaṇas) are anyone of any caste, if initiated by a sat-guru – such a statement also has a distinct Gauḍīya Maṭh-flavor. Later ‘Gopāl Bhaṭṭa’ states that a brahmacārī is greater than a person who follows brahminical principles from the cradle to the grave. It is no wonder that all editions I saw of these booklets were published by Gauḍīya Maṭh or ISKCON, as it fits their agenda very well.

In the upanayana-chapter, paragraph one, it is said ṣoḍaśa varṣa paryantam upanayanādhikāraḥ ataḥ paraṁ sāvitrī patito brāhmaṇo nopanetara – A brāhmaṇa can get the upanayana (thread-ceremony) until the age of sixteen, if he does not receive it by then he is called fallen from sāvitrī and cannot receive the Brahmin-thread anymore.” 
Makes me wonder how 40-year old western hippies can receive it then?

Later the concept of mantravān pāñcarātrika brāhmaṇa (a brāhmaṇa with pāñcarātrika mantra-dīkṣā according to the translator) appears in the book. pāñcarātrika is also a typical Gauḍīya Maṭh concept which is nowhere mentioned in the Haribhakti Vilāsa. The dating of these books apparently makes it impossible that they are Gauḍīya Maṭh-products, but since they suit their agenda so well, they have always been their main publishers.

Thursday, August 07, 2014

Worshiping Rādhā alone, Girirāja and Panca-mālā

Tongue of Govardhan at Rādhākuṇḍa

Bhakta:

A friend of mine has a deity of Rādhā alone. He worships her without Kṛṣṇa. I never heard of any worship like that.

Advaita Dās:

That is not right, that is wrong. This is concocted. No śāstra and no ācāryas said this. No one did this either. People are uncultured - they do not know śāstra so they just make up one thing after the other.

Bhakta:

Even he thinks that he is a mañjarī. How can explain it to him that it is wrong?

Advaita Dās -

Just repeat what I said - this worship must be:

1. Prescribed in śāstra
2. Coming through paramparā
3. Received from Guru

If that will not work then quote Rādhā-rasa Sudhānidhi 259 –

dhyāyaṁs taṁ śikhi pincha maulim aniśaṁ tan nāma saṅkīrtayan
nityaṁ tac caraṇāmbujaṁ paricaraṁs tan mantra varyaṁ japan
śrī rādhā pada dāsyam eva paramābhīṣṭaṁ hṛdā dhārayan
karhi syāṁ tad anugraheṇa paramodbhutānurāgotsavaḥ

            “I always meditate on Kṛṣṇa, who wears a crown of peacock feathers, I always sing His name in saṅkīrtana, I always serve His lotus-feet (the deity) and repeat His best of mantras (gopāla mantra and kāma gāyatrī), holding the desire for the supremely cherished service of Śrī Rādhā's lotus-feet in my heart.  When will that great festival of prema arise in my heart by His grace?”

paricaraṁs – paricaraṁs means worshiping the deity of (Rādhā-)Kṛṣṇa, while holding the aspiration for rādhā dāsya in the heart. Jīva Goswāmī quotes Viṣṇu Rahasya in Bhakti Sandarbha (283), saying that if one does arcanā, even with bhakti, without proper knowledge, one gets only 1% benefit. In other words, concocted arcanā, or arcanā not prescribed by Guru –

avijñāya vidhānoktaṁ hari-pūjā-vidhi-kriyām
kurvan bhaktyā samāpnoti śata-bhāgaṁ vidhānataḥ

Bhakta:

Yes...sevā aparādha. Leads to no inspiration...loss of faith...confusion.

Advaita Das

Yes - like veganism. This is also sevā aparādha - cooking for your own bones.


*****************

This is a somewhat edited version of a conversation I had with a devotee in December, 2006 –

Bhakta - 

Please accept my obeisances. Praises to the Vaisnavas.
1. What is the difference from a Govardhana-śilā as Girirāja and that of a Govardhana śilā as Giridhāri? How is the identity and mood of worship different?

2. At Rādhākunda I have seen some chanting gāyatri with a cloth covered necklace on. What is inside the necklace and what is the significance of the articles inside, what is the reason for wearing it and historical context of wearing it?

Advaitadās -

1. Mount Govardhan is both Kṛṣṇa (Mahāprabhu told Raghunāth Dās Gosvāmī the śilā is kṛṣṇa kalevara, Kṛṣṇa’s body” (C.C. Antya 6.292), and Kṛṣṇa Himself said śailo’smi – I am the mountain’ in Śrīmad Bhāgavata 10.24.35) and haridāsa varya (the best of Hari's servants, in Śrīmad Bhāgavata 10.21.18), however the śilā is primarily worshipped as Kṛṣṇa. The mood is one of sweet rustic simplicity. The worship is briefly explained by Śrīman Mahāprabhu in Caitanya Caritāmṛta Antya-līlā chapter 6.


2. It seems you must have seen someone doing that out in the open. Actually mantra japa should be done in private, not in public. The wreath they wear is called a pañca mālā and consists of five substances – Guñjā-berries, cloth from Lord Jagannātha, Tulasī, Āmalakī or Dhātrī and clay from Rādhā-kuṇḍa and Śyāma-kuṇḍa. Some Vaiṣṇavas believe that it enhances concentration. I have not received such a tool from my Guru, nor have I seen it mentioned in any Vaiṣṇava śāstra.

Sunday, July 20, 2014

Figures in śāstra.


10 years ago I had a very painful debate with the elite of the Gaudiya Discussions web-forum about figures mentioned in śāstra, in which I found myself practically alone combatting an army of mundane intellectual sceptics and frogs-in-the-well having devotee-names. Recently a couple of devotees posted an article on Facebook that supports my stance at the time (and now too). I wish to quote a selection of the evidence they provided here -

“Some of the numbers given in Vedic literatures seem too large to be true. For example, the forty-first verse of chapter ninety of the tenth canto of Śrīmad Bhāgavata states:

tasraḥ koṭyaḥ sahasrāṇām aṣṭāśīti-śatānica
āsan yadu-kulācāryāḥ kumārāṇām iti śrutam

“[In Dwarka] the Yadu family [had so many children] that they employed 38,800,000 teachers to educate them.” The next verse says lakṣeṇāstesa āhukaḥ — Maharaja Ugrasena had an entourage of thirty trillion attendants. Approximately 4,000 times the entire present population of the earth planet. And aside from that, there were also cooks, laborers, priests, housewives, children, soldiers, and the rest of a variegated population of Dvārakā. Regarding the number of personal servants of Mahārāja Ugrasena, Śrīla Viśvanātha Cakravartipāda offers an explanation in his commentary to the Śrīmad Bhāgavata 10.90.42 as follows:

atrāyutānām iti bahu-vacanaṁ kapiñjalādhikaraṇa-nyāyena. tritva-viśiṣṭāyāṁ saṅkhyāyāṁ paryavasāyitam ayutānām ayuta-lakṣaṇena bindu-trayodaśa-yuktena trayeṇa śaṅkha-trayeṇety arthaḥ. āsīd iti vaktavye āsta iti nitya-līlā-sphūrtyā uktam.

The plural in the term “ayutānām” should be understood according to the maxim of kapiñjala-nyāya. [The kapiñjala-nyāya says that whenever plural is used in context of numbers, it should be understood as the number 3]. Thus, the number here is 3 followed by thirteen zeros (30,000,000,000,000).

(This was evidence I quoted in the 2004 Gaudiya Discussions debate)

The present tense term “āste” (are) in this verse is used instead of the past tense “āsīd” (were) and this indicates that this great number is being spoken of by Śrīla Śukadev Gosvāmī from the remembrance of the continuous ongoing nitya-līlā of the Lord [in Goloka Vṛndāvana, and not from the pastimes that happened on earth]. 

What to speak of the cows of Vṛndāvana! In his purport to Śrīmad Bhāgavata 10.12.2, Śrīla Viśvanātha Cakravartīpāda says that the number of Kṛṣṇa’s cows exceeded one followed by seventeen zeros. That’s in the realm of one hundred quadrillion cows. And Visvanātha says that was just the young calves, the older cows far exceeded that amount. In his commentary on Bhāgavata 10.12.2, Śrīla Jīva Gosvāmī explains:

evaṁ vatsānāṁ bālānañcānantyam uktam. itthaṁ vane bālaiḥ pālyamānānām api vatsānāṁ yadīyattā nābhūt tarhi vraje ruddhānām abhinavānāṁ tṛṇa-carāṇāṁ tathā go-saṅge gatānāñca mukta-stanyānāṁ vatsānāṁ tathā tan-mātṝṇām anyāsāñca gavāṁ tathā vatsatarīṇāṁ vṛṣāṇāñca śrī-gopāla-deva-prabhāveṇa nityaṁ vivardhamānānām iyattā katham āstām? mahiṣyādayaśca kena vā gaṇyā ity evam asaṅkhyeyāḥ paśavas tad-anusāreṇa gopa-gopyādayaś cānantā jñeyā.

“The boys and calves of Vṛndāvana together could not be counted. If the number of calves that they herded in the forest was beyond calculation, how many more calves must have been left back in Vraja -- the small calves taking milk from their mothers, as well as the mothers of the calves that went to the forest, other cows, the elder male and female calves, the bulls, whose numbers kept increasing daily by the power of Gopal, and the buffaloes as well? Thus the animals, cowherd and cowherd women were unlimited in number.”
How do we understand such numbers? Are they exaggeration? Allegory?
Śrīla Viśvanath Cakravartīpāda gives an answer in his Sārārtha-darśini commentary on Śrīmad Bhāgavata 10.12.3:

na ca ṣoḍaśa-krośī-mātrasya vṛndāvanasya pradeśe tāvanto vatsāḥ naiva bhāntīti vācyaṁ bhagavad-vigrahasyaiva dhāmnaś cāsya tathāparimitatve ‘py acintya-śaktyā vibhutvāt tat-pradeśaika-deśe ‘pi pañcāśata-koṭi-yojana-pramāṇa-brahmāṇḍārbudānāṁ bhagavataiva brahmaṇe etat-uttarādhyāye darśayiṣyamāṇatvād ata

“One should not argue that such a large number of cows could not possibly fit into the thirty-two square mile area of Vṛndāvana, because the dhāma is unlimited by the inconceivable energy of the Lord. Even a small portion of the holy dhāma is sufficient to accommodate billions of universes each measuring fifty million miles in diameter. Kṛṣṇa showed this to Brahma in a later chapter.”
Another example is found in Śrīmad Bhāgavata 10.33.38 which states brahma-rātra upāvṛtte — Kṛṣṇa danced with the gopīs for an entire night of Lord Brahmā. Kṛṣṇa describes the length of Lord Brahmā’s day and night in Bhagavad-gītā (8.17):

sahasra-yuga-paryantam ahar yad brahmaṇo viduḥ
rātriṁ yuga-sahasrāntāṁ te ’ho-rātra-vido janāḥ

“By human calculation, a thousand ages taken together form the duration of Brahma’s one day. And such also is the duration of his night.”
A thousand yugas together equals four million three hundred and twenty thousand years. The Bhāgavata describes that the duration of those thousand yugas entered into a single twelve-hour night in Vṛndāvana during which the gopīs danced with Kṛṣṇa. Śrīla Viśvanātha Cakravartīpāda compares this inconceivable expansion of time to the fact that many universes fit within the forty-mile range of earthly Vṛndāvana. Similarly, he says, one may consider how Mother Yaśodā was unable to encircle the abdomen of her child Kṛṣṇa using many, many ropes, or how on another occasion Kṛṣṇa displayed many universes in his mouth to Mother Yaśodā. Śrīla Rūpa Gosvāmī writes in his Laghu Bhāgavatāmṛta (1.5.515):

ataḥ prabhoḥ priyāṇāṁ ca dhāmnaś ca samayasya ca
avicintya-prabhāvatvād atra kiṁ ca na durghaṭam

“In Gokula, nothing is impossible for the Lord, the devotees, the abode, and everything in the abode, by the power of the Lord’s inconceivable energy.”

Evidence from the Puranas
Kṛṣṇa, his devotees, and his abode are not in this material world and cannot be understood by the material senses. In his Śrī Mathurā Māhātmya, Śrīla Rupa Gosvāmī cites many evidences from various Purāṇas regarding the unlimited glories of Vṛndāvana. In text fifty-one he quotes the Ādi-varāha Purāṇa:

ṣaṣṭhi-koṭi-sahasrāṇi ṣaṣṭhi-koṭi-śatāni ca
tīrtha-sāṅkhyā tu vasudhe mathurāyāṁ mayoditā

“O Vasudha, I have manifested six-hundred-sixty billion holy places in Mathura.”

In the next text Rupa quotes the Mathurā-khaṇḍa of the Skanda Purāṇa:

bhūme rajāṁsi gananā kālenāpi bhaven nṛpa
māthure yani tīrthāni teṣāṁ saṅkhyā na vartate

O king, the particles of dust in this world may be counted in due course of time, but it is impossible to count the number of holy places that are present in Mathura.

Rupa Gosvāmī declares atha prapañcātītam — “[This area of Mathura] is transcendental to the material world.” he then quotes from the Ādi-varāha Purāṇa:

anyaiva kācit sā sṛṣṭir vidhātur vyatirekiṇī
na yat kṣetra-guṇān vaktum īśvaro ’pīśvaro yataḥ

“Mathura is completely different from the creation of the creator, because even the controller of this world is unable to describe the unlimited qualities of this holy place.” (Text 121)

Vṛndāvana is Like a Lotus
Another perspective is given in Prema-vilāsa (16, 174–191), wherein the author Nityānanda Dās relates a conversation that he had with Śrīla Raghunāth Dās Gosvāmī at Rādhākuṇḍa:

Raghunath Dās Gosvāmī said, “While staying here and visiting the various pastime places, be careful not to commit any offense even in your mind. The pastimes of Kṛṣṇa cannot be understood, but if you read the books of Śrīla Rūpa Gosvāmī then you will understand them. If you did not read these books you must hear it from the mouth of the Guru. A faithful person becomes firm in his mind when he hears from (Guru’s) mouth. You should understand the different pastimes that Rādhā and Kṛṣṇa are performing day and night in different places in Vṛndāvana. Although Rādhā and Kṛṣṇa are always performing pleasure pastimes in Vṛndāvana, no one can perceive them. The amazing parakīya-pastimes of Rādhā and Kṛṣṇa are only understood by the sakhīs.”

Nityānanda Dās replied to Raghunāth Dās, “There is one doubt in my heart. If you give me your kind permission I will express it to you. My inquisitive mind has become blessed by hearing from your lotus mouth about Vṛndāvana. The distance between Vṛndāvana and the bank of Rādhākunda and Śyāmakunda is about eight krośas [a krośa is about two miles or three kilometers] and Govardhan is two krośas from the kuṇḍas. Sanketa is eight krośas from Vṛndāvana, Nandīśvara is two krośas and Yāvat is one krośa. Rādhā and Kṛṣṇa travel between these places in a moment. How is it possible for Rādhā, Kṛṣṇa, and their associates to travel such distances daily? For a long time I have had a desire to hear the answer to this question. Otherwise how can a sādhaka understand these pastimes?”

kṛpā kori kohe śuno nityānanda dāsa! yei yei sthāne sadā kṛṣṇera vilāsa
padma-prāy jeno vṛndāvaner ghaṭan; śāstra vākye āche mahāprabhur sthāpan
mudita prakāśa haila dui to prakāra; vilāse mudita hon līlāya vistāra
ei rūpe hoy sob gamanāgamana; tadāśrita yei tāra hoy ei mana
yogamāyā bale ihā ghaṭanā āchaya; yāṅhāra gamana sei kichu nā jānaya

Mercifully, Dās Gosvāmī said, “Listen, Nityānanda Dās! All these places where Kṛṣṇa’s pastimes are eternally taking place in Vṛndāvana are like a lotus flower. Mahāprabhu has established this through śāstra. As a lotus, Vṛndāvana is manifested in two ways, closed and open. It closes itself in pleasure, vilāsa, and opens itself in sport, līlā. In this way Rādhā Kṛṣṇa and their associates come and go. Only surrendered devotees of the Lord can understand this. By the strength of yogamāyā one can understand these matters. Other persons cannot understand.”

Advise to sceptic mundane scholars – jāo bhāgavat poro vaiṣṇavera sthāne (Caitanya Caritāmṛta Antya 5.131) “Go and study the Bhāgavat from a Vaiṣṇava!” The Bhāgavat itself says (1.1.2) it is only understood by kṛtibhiḥ suśrūṣubhiḥ, saints who are eager to hear and obey. Ultimately, of course, the issue of such vast figures in the śāstras does not touch a rāgānugā devotee, because such huge figures will anyway damage the human view or conception of Kṛṣṇa-līlā which is required to relish sweet rasa. All figures need to be modest in order not to create a feeling of aiśvarya or superhuman divine majesty.

Saturday, July 05, 2014

Flower picking quarrel at Kusum Sarovara?


Flower picking quarrel at Kusum Sarovara?

It is generally understood that Rādhā and Kṛṣṇa quarrel over Rādhā’s picking of flowers at Kusum Sarovara, but this is not what the Goswāmīs’ books say. Govinda Līlāmṛta, chapters 6 and 7, says that Kṛṣṇa plays with His cowherd boyfriends around Govardhana in the pūrvāhna time, between 9 and 11 in the morning, and then proceeds to Rādhākuṇḍa. On his way north He does stop over at Kusum Sarovara, but only to consult His friends about the upcoming pastimes at Rādhākuṇḍa and how to meet Rādhikā. This is in Govinda Līlāmṛta 6.43-86. In Kṛṣṇa Bhāvanāmṛta 8.56 Rādhikā does sūrya pūjā on her way to Rādhākuṇḍa. Where? In a place where she entrusts the paraphernalia for sūrya pūjā to her assistants, before proceeding to svam saraḥ – her own kuṇḍa. She entrusts these paraphernalia there because the sūrya-pūjā will be done there later at 3 p.m. The same in Govinda Līlāmṛta 8.67-70. Though Sūrya kund is not mentioned by name in either of these two books, Vṛndāvana Cakravarti, a disciple of Śrī Viśvanātha Cakravarti, writes in his ṭīkā to Govinda Līlāmṛta 8.74 - kuñja-nṛpasya śrī-kṛṣṇasya kuñjarā iti prasiddhaṁ kuñjenarākhyam dhāma prāptā rādhā - that Rādhā passes through Kunjera village, which is north of Rādhākuṇḍa, travelling south from her husband’s village of Yāvat, on the way between Sūryakunda and Rādhākuṇḍa, after doing Sūrya Pūjā in verses 8.67-68 (see map above). So Rādhikā comes from a totally opposite direction to Rādhākuṇḍa at 11 a.m., from the north, while Kusuma Sarovara is in the south. The quarrel over the picking of flowers is described in chapter 9 of both Govinda Līlāmṛta and Kṛṣṇa Bhāvanāmṛta, after elaborate descriptions of Rādhā-Kṛṣṇa’s exciting meeting at Rādhākuṇḍa. Nowhere it is mentioned that they leave Rādhākuṇḍa again to go to Kusuma Sarovara to perform this pastime. Kusuma Sarovara is just named so because there are flowers floating in the lake itself.

Saturday, June 14, 2014

Origin of English words from Sanskrit

Sanskrit                                                                       English

tanutā                                                                           thinness
hikkā                                                                            hiccups
vīrya                                                                             virility
koṇa                                                                             corner
daśama-lava                                                                 decimal
paśucara                                                                       pasture
antar                                                                             under (included)
sveda                                                                            sweat
ahaṁ                                                                            I am
vidhavā                                                                        widow
ṛta (rita)                                                                       right
sūpa                                                                             soup
pracāra                                                                         preaching
ābandhana                                                                    abounding
abindhana                                                                     abandoning
bandha                                                                          bond, bondage
parokṣe                                                                         proxy
sevā                                                                               service
pratiṣṭhā                                                                         prestige
svasṛ                                                                              sister
jāṅgala                                                                           jungle
yoga                                                                             yoke
mānava, manuṣya                                                          mankind
martya                                                                          mortal
pūta                                                                              putrid
kri                                                                                create
tri                                                                                 three
ghās                                                                              grass
sūnu                                                                              son
Muṣikā                                                                          mouse
Barbar                                                                           barbarian
Mana                                                                             mind
Nava                                                                              new or nine
Yauvana                                                                         juvenile, youth
Vaman                                                                           vomit
Vāca                                                                              voice
Stha                                                                               stay
Śarkara                                                                          sugar
ṣaḍ                                                                                 six
Sapta                                                                             seven
Aṣṭa                                                                               eight
Nākta                                                                             nocturnal
Loka                                                                              locale
Nāsa                                                                              nose
Lākṣā                                                                             lac
Krūra                                                                             cruel
Nava                                                                              navy
Patha                                                                              path
Akṣa                                                                              axis
Dvāra                                                                             door
Nāma                                                                             name
Madhyam                                                                       medium
Gyamitiya                                                                       geometry
Trikonmiti                                                                       trigonometry
Anāmika                                                                         anonymous
Mātā, mātṛ                                                                     mother
Pitṛ                                                                                 father
Bhrātaḥ                                                                          brother
Duhitra                                                                           daughter
Sama                                                                             same
Dānta                                                                             dental
Ritam                                                                             Rhythm
Sant                                                                               saint
Na                                                                                 no
Sarpa                                                                             serpent
Divya                                                                             divine
Tat                                                                                 that
Mam                                                                              me
Hrid                                                                               heart
smita                                                                             smile
nagna                                                                            naked
sthiti                                                                              status, station
Lakṣmī                                                                          luck[y]
dva                                                                                two
prajā                                                                              progeny
antar                                                                              inter
maśaka                                                                          mosquito

ADOPTED WORDS, now incorporated in the English dictionary -

Juggernaut, mantra, Guru, avatar, jungle and yoga.


MY TRANSLATION OF ANANTADAS BABAJI'S COMMENTARY ON RAGHUNĀTHA DĀSA GOSVĀMĪ'S 'VRAJA VILĀSA STAVA NOW PUBLISHED.

http://madangopal.com/2014-june.pdf

http://www.gopi.de/collected-prayers-pt-2/