Sunday, October 07, 2007

Phone sanga (10)

Bhakta: "What is the proper speed of chanting japa?"

AD: "I don't think śāstra gives any clue to that. I think the holy name itself is in control of that. I had times it took me just 4 minutes to do one round, and I had times when it took me 11 minutes. svayam eva sphuratyadah - it is self-manifest."

B: "How to best chant japa?"

Advaitadas: "japa means soft chanting. Falling asleep is tamo-guna, walking around is rajo-guna, and sitting is sattva-guna, the serene mode. (Western ankles are not used to sit on the floor, so) One should sit on a pillow, not too soft, not too hard, close the eyes, with a sober stomach and having had enough sleep (sleeping more than 6 hours need not be tamo-guna, that depends on the individual's needs), and not be distracted by walking or talking. Keep the back straight and head down."

Bhakta: "How much down? 45 degrees?"

AD: "Not that much, 30 or so. Sādhu Bābā told me that, I don't know why that is - perhaps it must be done out of humility. If you keep your eyes open then look at something attractive, like your favorite picture of Rādhā-Kṛṣṇa. Doing japa alone is less distracting than in company. 
    All in all, it takes a long time to master - abhyāsena tu kaunteya vairāgyena ca gṛhyate (Gītā 6.35) "It takes practise and renunciation to control the mind." Renunciation meaning one should follow the principles. A sober stomach is also important."

Bhakta: "What about the custom of chanting the pañca tattva mantra before each round?"

Advaitadas: "This is a fairly new custom. In Caitanya Caritāmṛta there are some verses like jaya jaya śrī caitanya jaya nityānanda jaya advaita-candra jaya gaurabhakta vṛnda, but the current pañca tattva mantras are not that old. pañca-tattvātmakam kṛṣṇam (CC Ādi 1.14) "Kṛṣṇa is embodied by the Pañca-tattva" When I asked my Guru about it he told me 'Just chant what I gave you, that is all' গুরু আমায় য়াই দিয়েছেন তাই আমার সব. That the pañca tattva mantra, which is not mentioned in any śāstra, protects from aparādha is a sheer myth. Judge a tree by its fruits - 95% of all devotees fall down, after neatly chanting 16x a day the Pañca-tattva Mantra. Also the idea that aparādha does not count in Māyāpur / Navadvīp is a sheer myth. Utter nonsense. Can you then gun down or torture a pure devotee in Navadvīp and Gaura-Nitāi will say "Jay Jay! Go on! Great! Do it again!"? Mahāprabhu Himself said he would never forgive Gopāl Cāpāl, in Navadvīp, and, though they were later saved by Nitāi, He wanted to kill Jagāi and Mādhāi. Plus, so many devotees stay in Bengal instead of in Vraja, thinking that they will be saved from aparādha, but I have seen so many of them falling away from the path, from Navadvīp/Māyāpur too....The pañca tattva mantra that is mostly used is highly asymmetric, the 2nd line being much longer than the first (śrī advaita gadādhara śrīvāsādi gaura bhakta vṛnda) creating difficulty in kīrtana. Mind you, I'm not against chanting of Guru or Gaurāṅga in the kīrtana, but not because of the idea that there is no offence in them. Rather, because one must respect them - without their grace one cannot attain Kṛṣṇa. If the Pañca-tattva mantra really protected against aparādha everyone who chanted it would have prema by now."

Bhakta: "Some say that Kṛṣṇa's birth-pastime only happens in the material world, because Kṛṣṇa is not born in the spiritual world."

Advaitadas: "I haven't seen that in śāstra, but why can He not be eternally born in Goloka too? If He enjoys to be born it will be a līlā of His anywhere. Same with killing demons. In Bhakti Sandarbha Jīva Gosvāmī says that in Goloka there are pratimās, images of demons that Kṛṣṇa kills. Hiraṇyākṣa and Hiraṇyakaśipu pleasing Him by fighting Him is extra. He can fight here, there, wherever He likes and He can make the demons assume any form He likes. If kids in this world have unlimited choice in video games, why would Kṛṣṇa have less than that?"

Bhakta: "We understand why Gaura took Rādhā's feelings, but why Her complexion?"

Advaitadas: "He did not want to be recognised as Kṛṣṇa. There are several explanations given. This avatāra is the most human of all, so even His complexion is that human. Mahāprabhu is called channa avatāra, a hidden avatāra. Rūpa Gosvāmī writes in the apāram kasyāpi verse: "Being curious to relish all the limitless rasa of love of one of His beloveds (in Vraja, Śrī Rādhā) Kṛṣṇa stole Her luster and covered His own (blackish) splendor with it, revealing this new golden luster to everyone...." Rādhā-govinda Nāth writes in his comment on CC Antya 14.67: Rādhā is a solid gold vessel and Kṛṣṇa a gold-plated copper vessel. mādana mahābhāva is like nitric acid, which a solid gold vessel can easily handle, but a copper one cannot. Rādhā's complexion is a protective shield."(See my blog of October 23, 2005. Note: I do not consider Rādhā-govinda Nāth an infallible authority, but this point he made very nicely)

Bhakta: "So the rivals of Rādhārāṇī are there to increase Her eagerness for Kṛṣṇa?"

Advaitadas: "Yes, though ultimately she has nothing really to worry about - She is His inseparable śakti, and the role of Her rivals in aṣṭakālīya līlā books is very very limited. They hardly feature there. Its like American crime-movies - the good guy always wins, a single fist blow knocks out the opponent for the rest of the show so the good guy can win the whole situation over. So in the līlā it seems Rādhā's parents, husband and rivals are tremendous obstacles but throughout the day you see Her actually enjoying long periods of time with Kṛṣṇa. Rivals and relatives hardly come into the picture. The scenarios in Ujjvala Nīlamaṇi that Rādhārāṇī really spends the whole night without Kṛṣṇa, being deceived by Her rivals, seem hardly realistic to me. Of course, every līlā of Kṛṣṇa is real and eternal, but these descriptions seem to me more like examples of different feelings that can arise in Her in different circumstances - māna, khaṇḍitā, kalahāntaritā, vāsaka sajjikā etc. I can personally not imagine that She would ever really spend the whole night without Kṛṣṇa."

Bhakta: "There is a verse in Vṛndāvan Mahimāmṛta which says that the mañjarīs are like foam that emanates from the ocean- like feet of Rādhārāṇī, seemingly suggesting that they, or we, are svarūpa śakti. Others also say that jīva śakti comes from Rādhārāṇī's feet."

Advaitadas: "Mahima means glorification. This is not a tattva statement. There is no evidence that jīva śakti comes from Rādhārāṇī's feet. jīva śakti doesn't come from anywhere. It has always existed, parallel with svarūpa śakti and Kṛṣṇa. It has never been created as an historical event."

4 comments:

  1. Pressing your chin towards your throat / chest is called Jalandhara-bandha. Its purpose is to block the energy that would ordinarily leak out through the Visuddha-chakra or the throat chakra. It is perhaps the least intrusive among the bandha-traya, Uddhiyana and Mula requiring a good deal more conscious attention -- and as such possibly a bit obtrusive for japa and dhyana unless one has a strong habit. Visuddha is the chakra connected with communication and verbalization, and as such is also active during japa.

    I don't know is this is what your Guruji intended, but given his background it's a plausible explanation.

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  2. Thank you for that, Madhava. However, pressing the chin towards the throat seems more of a tilt than what I understood from my Guru - more than 45 degrees even. Perhaps next time we meet you can give me a demonstration.

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  3. Regarding jalandhara-bandha, you see that upside-down triangle at the top of your chest where it seems uncovered by bone? That's the place where the chin is supposed to be placed in order to block the nerves, as that is a great nerve centre.

    Of course, it is quite a large tilt.

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  4. With respect to all devotees here, Jalandhara banhda has got nothing to do with Nama japa.
    I have been teaching Kriya Yoga (after long years of practicing it, in the past) for years now and from all these experiences I can say this particular bandha only comes really useful in play with certain pranayama techniques.

    And I have never read (in the books of Gosvamis) or heard of doing pranayama when serving Mahamantra or Gopala mantra. Why should anyone focus on this body (or on energy channels and chakras) when The Name and Lilas are so, so sweet?

    Granted, certain mudras and bandhas have deep and profound effect on awareness (shambhavi or kechari mudras, for example) BUT doing any active mudra or bandha while doing Nama japa translates more like karma yoga or tantra then bhakti sadhana to me...

    Regards.
    Nitya

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